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The Beauty Myth
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Anatomy of Criticism: Four Essays Princeton University Press , is a book by Canadian literary critic and theorist Northrop Frye that attempts to formulate an overall view of the scope, theory, principles, and techniques of literary criticism derived exclusively from literature. Frye consciously omits all specific and practical criticism, instead offering classically inspired theories of modes, symbols, myths and genres, in what he termed "an interconnected group of suggestions. Frye's four essays are sandwiched between a "Polemical Introduction" and a "Tentative Conclusion. The purpose of the introduction is to defend the need for literary criticism, to distinguish the nature of genuine literary criticism from other forms of criticism, and to clarify the difference between direct experience of literature and the systematic study of literary criticism. There are a number of reasons why the introduction is labeled as a ' polemic '. In defending the need for literary criticism, Frye opposes a notion common to Tolstoy and Romantic thought that 'natural taste' is superior to scholarly learning and by extension, criticism.
The Beauty Myth Essay
If Ernest Hemingway had few critics at the time he was forging his literary reputation as an author of distinction — many of whose works are considered classics of American literature — he's certainly made up for that since. Far from seeing the apparent dichotomy as daunting, Burns saw it as more opportunity than challenge. One cannot exist without the other, Burns insists. I don't think Hemingway would have survived if that's all he was — this barroom guy. He had the discipline to write every single day, but he also had all these other things competing under the surface.
Johann Christoph Friedrich Schiller — is best known for his immense influence on German literature. In his relatively short life, he authored an extraordinary series of dramas, including The Robbers , Maria Stuart, and the trilogy Wallenstein. He is sometimes referred to as the German Shakespeare; his are still among the most widely produced German plays both in Germany and internationally.