Feminist film theory is theoretical film criticism derived from feminist politics and feminist theory. Feminists have many approaches to cinema analysis, regarding the film elements analyzed and their theoretical underpinnings. The development of feminist film theory was influenced by second wave feminism and the development of women's studies in the s and '70s. Feminist scholars began taking cues from the new theories arising from these movements to analyzing film. Initial attempts in the United States in the early s were generally based on sociological theory and focused on the function of women characters in particular film narratives or genres and of stereotypes as a reflection of a society's view of women.
Feminist literary criticism - Wikipedia
Please join StudyMode to read the full document. Feminist Theory Feminist theory is the extension of feminism into theoretical, or philosophical discourse, it aims to understand the nature of gender inequality. It examines women's social roles and lived experience, and feminist politics in a variety of fields, such as anthropology and sociology, communication, psychoanalysis, economics, literary criticism, education, and philosophy. While generally providing a critique of social relations, much of feminist theory also focuses on analyzing gender inequality and the promotion of women's rights, interests, and issues. Themes explored in feminism include art history and contemporary art, aesthetics, discrimination, stereotyping, objectification especially sexual objectification , oppression, and patriarchy. The feminist theory dates back to as early as the 18th century and to this day is still around with women trying to fight for the rights women deserve to be treated as equal as men and respected as an equal to men.
Elaine Showalter as a Feminist Critic
Take a good look at the graph in the Forbes article hyperlinked above; these shocking statistics are from Feminists often cite the portrayal of women in films and media as a source of ongoing sexism and violence against women. They exist only to please the perverted men they love. Hitchcock directed the movie to exclusively show the male gaze. As the audience, we see what these men see, and despite our own race, gender, sexuality, etc.
These mistaken ideals of men cause roles of masculinity and feminity to be skewed. Not only is this excessive, but it is sending the completely wrong message, and Kilbourne argues that. For men, advertisements emphasize their masculinity, strength, and power. Men are depicted to dominate women, through acts of violence or subtle advertisements that implied sexual battery. The media is continuously objectifying women and their sexuality.