History repeats itself, the first time as tragedy, the second time as farce. So, apparently, do the films of Luc Besson. In he made " La Femme Nikita ," which in its cold sadness told the story of a tough street girl who became a professional killer and then a civilized woman. Now he has made "The Professional," about a tough child who wants to become a professional killer, and civilizes the man she chooses as her teacher. Besson seems fascinated by the "Pygmalion" story, by the notion of a feral street person who is transformed by education. He crosses that with what seems to be an obsession with women who kill as a profession.
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In the late days of the Mexican Revolution, wealthy rancher and oilman J. Grant Bellamy must hire four mercenaries to rescue his kidnapped wife Maria Cardinale from a vicious bandit and former Revolutionary Jesus Raza Palance. The four men are all paragons of their fields: the weapons expert and team leader Rico Fardan Marvin , an explosives technician Lancaster , an expert horse wrangler Ryan and a reconnaissance scout with finely honed Apache skills Strode. Despite their admiration for Raza's skills as a Revolutionary, they are determined to successfully complete their mission.